Who Still Needs Access To 32-Bit Plug-ins? A solution for the owners of these "orphaned" 32-bit plug-ins which found themselves without a host was 32 Lives from SoundRadix, a 32 to 64-bit adaptor plug-in. There is more to know when it comes to an amazing drum mix.While the transition from 32 to 64 bit DAW architecture was a few years ago there are still some much-missed VST and AU plug-ins which never made the transition. Set threshold so that light hits still come through, but any ringing afterwards is gatedĭrum Gating Cheat Sheet Wait.there's more.The bottom snare mic is left wide open (no gate) so that soft snare rolls are still heard even when the gate on the top mic remains closed. Currently, I am gating the top mic of the snare so that it is nice and punchy without ringing afterwards. Gating the snare is tricky business - do so with caution. However, a better solution is to communicate with the drummer, asking him to lighten up on the hi hat. If too much hi hat is coming through the snare mic, you may want to use gating. Set threshold so that light hits still come through, but any low frequency feedback is gated.Simply set the gate so that the vibrations in-between hits are not heard. When the floor tom is mixed so that you feel it in your chest, even the slightest head vibration will be amplified through the sound system as low frequency feedback. How to Make Drums Quieter (without a drum shield) So, when should you use gating? If the acoustical energy coming from the drums is too much, you have options. This takes some serious skill and finessing which only full-time audio techs can master. Think about it… When isolating, you are putting the drums in another room, so to speak, yet trying to make them sound like they are in the same room as the rest of the band. When the drums are fully isolated and gated, it is tough to get them to fit with the rest of the mix. I am not going to say this is wrong altogether, but it is not the right solution for church live sound. When talking to an audio engineer, especially one that works in a studio, he will recommend that the drums be fully isolated with proper gating so there is no cross-talk between the microphones. Don’t use it just because it is available. Most importantly, only use compression to solve a problem with volume inconsistencies. Set threshold to where average gain reduction is around 3-6dB.The kick drum is something you want to stay pretty steady throughout the mix, so if you have a drummer that is inconsistent, use the following compression settings: Even in this case, you will probably only need light compression on the kick drum and possibly the snare. It is common for sound techs to put compression on almost every drum mic, but this is not necessary unless you have an inexperienced, uncontrolled drummer. Only use compression with inexperienced drummers. High Shelf: 8-12kHz / +3dB (for more sparkle/sizzle).Peaking Filter: 4-6kHz / Q 1.5 / -9dB (only if the acoustic energy from cymbals is overwhelming - this removes the harshness but leaves the sparkle).Peaking Filter: 400-600Hz / Q 1.5 / -9dB (to get rid of nastiness).Peaking Filter: 400-600Hz / Q 1.5 / -9dB (to remove boxiness - frequency will be different for each tom).Peaking Filter: 80-150Hz / Q: 3 / +3dB (only if you need more ‘thunder’).Peaking Filter: 400-600Hz / Q 1.5 / -12dB (same frequency as snare top).Peaking Filter: 100-150Hz / Q: 3 / +6dB (same frequency as snare top).Peaking Filter: 5-8kHz / Q: 3 / +3dB (to hear more of the attack).Peaking Filter: 400-600Hz / Q: 1.5 / -9dB (to remove boxiness).Peaking Filter: 100-150Hz / Q: 3 / +6dB (to feel the snare in your chest).High Shelf: 5-7kHz / +3dB (to hear more attack).Peaking Filter: 200-400Hz / Q: 1.5 / -12dB (to remove boxiness).Low Cut: 30Hz (only if subs are prone to overloading).Learn about frequency sweeping in this post: The Most Important EQ Techniques for Church Sound 200-400Hz), use frequency sweeping to find the most appropriate frequency setting for your situation. Note: For all filters listed below that contain a range (i.e. Then, a few simple EQ techniques will take your drums to a whole ‘notha level. Simple EQ Techniques for Drumsįor great sounding drums, you first need to make sure your drum heads are properly tuned, mics are placed correctly and gain is set properly ( more on that here). Let’s go through the foundational EQ, Compression and Gating techniques for mixing live drums. The most important thing to keep in mind is to never use signal processing just because it is available, only use it to solve a problem. With all the signal processing available to us (EQ, compression and gating), it is easy to get overwhelmed. If the drums aren’t right, the mix lacks energy and loses its impact. Drums (and bass guitar) are the foundation of a great mix.
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